Resumes for Actors and Arsts
Smith College Lazarus Center for Career Development
www.smith.edu/lazaruscenter
413-585-2582
Rev 07/18
Resumes for Actors
Studio Art Resumes
Samples
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Resumes for Actors
An actor’s resume and headshot has one purpose: to get you work. It is an overview of an actor’s
performance experience, skills, and qualicaons. The resume should be clear, easy to read, and
relevant to the acng job you’re seeking. A casng director needs to be able to learn about the
highlights of your work within a few seconds. Uses the following structure in your resume
Heading – your basic informaon:
Name: Use a larger font and bold your name. It should stand out
Primary contact phone numbers
Email address, website, and any union aliaons
Do not include your home address. This is for safety reasons, and for accessibility in case you
move (an actor’s resume may be on a casng agent’s le for several years). Provide your
height, weight, hair, and eye color, and if applicable, your vocal range.
Experience:
Acng can be categorized in several ways, depending on the breadth and range of one’s experience.
Categories can include:
Broadway, O-Broadway, Regional/Stock, Community, etc.
Theatre or Stage, Film, Television, Industrials, Voiceovers, etc.
Under each category, separate credits by columns: producon tle, role played, theatre/producer/
director. Dates aren’t necessary, and only cluer the resume.
An actor doesn’t need to include all of their credits. Rather, they should choose the most recent
and/or presgious roles, as well as credits relevant to the audion. Less is more, and actors can
always include a line indicang “addional credits available upon request.” Actors should send
updates to their resumes when a headshot is on le with an agent. This keeps one’s name fresh and
“top-of-mind” with an agency.
Educaon and Training:
In addion to lisng your college degree and major, your resume can include acng-related
workshops, on-going studio classes, or private training. You may also include training in related elds
such as music (especially singing), dance, maral arts, etc. Many actors include the number of years
they have trained in a parcular area, technique, or discipline.
Special Skills:
This can include everything—regional dialects, accents, spoken languages, juggling, acrobacs,
sports, etc. If you can do it, include it.
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Size and Format
Use a font and size (11 pt. is common) that are easy to read.
Trim resume to t the back of an 8”x10 headshot, and ensure your resume’s text ts
comfortably in that dimension.
Staple each corner of resume to the back of a headshot or print directly to the back of the photo.
Headshots
A headshot is a black and white, 8”x10” photograph of an actor. Eecve headshots are simple, conveying
an honest introducon of an actor to a casng agent or director. They should be an accurate image of an
actor on your best day. Headshots should be retaken if an actor makes signicant changes to their
appearance (hair style or color, weight, etc.).
Headshots should be crisp and clear. Avoid arsc photo eects or unusual lighng.
Avoid clothes with a paern, whites, and turtlenecks.
An actor shouldn’t look like they’re acng in a headshot. Rather, look sincere, friendly, and energec.
Choose a photographer who specializes in headshots. Ask for their book of work to view. The
headshots should look professional; paying for high quality images is a worthwhile investment.
Ask photographers for their package rates, number of prints included, and who keeps the original images.
Studio Art Resumes
For an arst, one’s work is one’s resume. Porolios are the most common vehicle for an arst to
showcase their work. A resume complements the porolio by nong where the arst’s work has been
exhibited and reviewed. Unlike a resume designed to connect an applicant’s experiences and skills to a
parcular job, a studio art resume helps market an arst’s work and recognion.
A studio art resume may dier in format and length from a standard resume, oering the writer more
creave exibility. Use of color, shapes, and design can reect an arst’s tone and imaginaon.
What to include
A studio art resume focuses primarily on the work itself. It can include teaching experience as well, in
parcular when that experience is in a studio situaon. Categories aer the personal/contact informaon
and Educaon will vary by person.
Heading with personal and contact informaon: name, address, email, phone number, porolio
website
Educaon and training: School, degree, major, year of graduaon
Solo Exhibions
Juried Exhibions
Honors and Awards from juried exhibions
Media reviews
Studio teaching experience
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Sample Actor Resume
Morgan Jones
SAG, AFTRA
413.555.4567
[email protected] || www.morganjones.com
Voice: Soprano Height: 5’3”; Weight: 120
(2 octave range, to high C) Hair: Brown; Eyes: Brown
Regional and Stock
The Seagull Nina Oldcastle Theatre Company
‘night Mother Jessie Town Players of Pittsfield
Little Shop of Horrors Audrey Leading Ladies, Smith College
Film/Television
Sarah’s Game Allison Featured
Bank of NH Commercial Invest Now Extra
Radio
Soundtrack Studios, Boston, MA:
“Winter Collection” Voiceover Clark’s
Education
Smith College, Northampton, MA
BA, Theatre with Acting emphasis (Expected May 2019)
Training
Acting: William Esper Dictation: Sue Solo Stage Combat: Katie Bolger
Movement: Joe Smith Voice: Tom Zeager Voice Coach: Meredith Hyland
Skills
Dialects (American South, American Midwest, French), juggling, gymnastics, soccer, ballet
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Sample Studio Art Resume
Jing Li
Portfolio: www.jingliart.com
Ph: 413.585.1111
Email: jingli@gmail.com
Education
BA, Smith College, Northampton, MA (May 2019); Major: Studio Art
Solo & Group Exhibitions
Women in Nature (solo), Forbes Library, Northampton, MA, 2018
Butterflies and Dreams (solo), Norman Gallery, Georgetown, MA, 2017
Mothers & Daughters (solo), Morningside Gallery, Northampton, MA, 2017
Hammertown Gallery (group), Chester, MA, 2016-2017
Foster & Jones (group), Hillsdale, NY, 2015-2016
Aster Art Museum Rental Gallery (group), Cambridge, MA, 2014-2015
Juried Exhibitions
Kramer Gallery, Morgan University, Morgan, MA, Light & Innovation, Juror: Sarah Karp,
Harris Gallery, 2018
Allen & Simon Gallery, Great Barrington, MA, Playful, Juror: John Harrington, Davis
Gallery, 2018
Masson Gallery, Salem, MA, Waterviews, Juror: Margot Tanner, Shipps Gallery, 2017
Barnes Gallery, Leverett, MA, City Life, Juror: Max Hill, Trinity Gallery, 2017
Reviews
Daily Hampshire Gazette, 9/5/18, “Young Artist’s Work Reflects Women’s Images,”
Anne Larson.
Salem Evening News, 5/15/17, “New Artist Explores Port Imagery,” Tom Gaynes.
Honors and Awards
Painting award, Barnes Gallery, Leverett, MA, 2017
Honorable mention, Masson Gallery, Salem, MA, 2017
Experience
Curatorial Intern, Smith College Museum of Art, Northampton, MA, 2018-19
Collaborated with staff and intern team in preservation and maintenance for gold-plated
frames used for exhibited museum paintings